Check out our article on how to create cinematic wedding photography!

      Buy our cinematic wedding photography editing presets HERE.

      cinematic wedding photography lightroom presets

      To coincide with the launch of our ‘Emotive’ wedding photography presets with we thought we’d share some useful wedding photography editing tips and articles over the next few weeks so keep an eye out for more.
      We’ll begin today’s article with a few wedding photography editing basics and we’ll move onto some more advanced stuff in the next articles.

      Let’s begin!

      A Quick Note About Consistency

      When it comes to editing a wedding gallery the absolute no.1 thing we’re always striving for is consistency!

      Paying special attention to all of the following points:

      -A consistent  exposure in each scenario / scene of the wedding day
      -A consistent white balance in each scenario / scene of the wedding day
      -A consistent use of cropping/straightening/correcting photos
      -A consistent editing style/preset from beginning to end of the gallery

      Keeping an eye out for these 4 things can go a long way in achieving a wedding gallery that looks polished and cohesive from beginning to end.

      1. Monitor Calibration

      The first important step and one of the best wedding photography editing tips!  Make sure your colours and gamma are correct before you start editing and calibrate your monitor!
      A lot of the time when you buy a new monitor or laptop it won’t come calibrated out of the box and will either be slightly cool or perhaps a bit on the warmer side.  The screen can often be extra contrast out of the box too.

      The last thing you want is to edit the perfect looking photo and then print it (or view on another calibrated screen) to discover that it looks completely different to how it looks on your monitor.

      Calibrating your monitor will ensure that you’re starting off on the right foot and editing consistent-looking images.

      You’ll need to purchase a calibrator and these come in a range of price points but they all do pretty much the same thing.  I’ve trusted the i1 Display Pro by Xrite for many years and it’s never let me down.

      Simply plug it in via USB and position it in the middle of the screen. The software bundled with the device will guide you through the process step by step and it should take no longer than 10 minutes.  You’ll need to re-calibrate every few months.

      Check out a video tutorial here that talk a bit more about the importance of monitor calibration.

      2. Applying a Preset
      The biggest advantage of using wedding photography presets is that all the heavy lifting, tweaking and time spent balancing tones and curves has been done!  This will save you time in post production which becomes really crucial when you’re shooting 20-40 (or more) weddings a year.  It means more time spending time doing other things you enjoy and less time tinkering around in Lightroom trying to get those cinematic tones!

      Ultimately you want to find a preset that will suit your shooting / visual style and something that can used in a variety of situations and lighting conditions.

      Our own presets are geared towards achieving a more cinematic look and have evolved as a result of many years of shooting in a range of lighting scenarios and locations all the way from the Scottish highlands, to the colourful streets of Copenhagen to the harsh light in Morocco.

      We teamed up with the talented minds at DVLOP to enhance our presets to utilise custom camera profiles that translate the colors to every major camera system out there.  With 1 click the camera model is automatically detected and the preset is applied for that specific model bringing accurate colours across all camera systems.
      DVLOP’s nifty ‘modifiers tool set’ also comes bundled with the package and can be used to further tweak and customise the look to your liking quickly and easily..

      Click here to check out ‘Majestic’ presets for Lightroom, Adobe Camera RAW or Capture One at the DVLOP store.


      wedding photography editing tips for beginners

      wedding photography editing tips for beginners

      beginner wedding photographer editing tips

      3. Straighten and crop
      For our own style of shooting, unless it’s deliberate or there’s a creative reason why the image should be an on angle, we will make sure that every image has a straight horizon.
      Straightening the image can convey the message to the viewer more clearly as it stops the eye from wandering and minimises distraction.  The way we see it, if we were watching a movie that was accidently filmed on a slight angle we wouldn’t be able to fully concentrate on what was happening in the story.  The same can sometimes apply to photos.

      And crop!  Again, to allow the eye to fall on the subject quickly we crop to make sure any unneeded space around the subject is removed and the subject is in the middle of the frame or in line with the rule of thirds.

      4. Exposure slider
      From bright and airy to moody and cinematic, the type of mood you’re trying to achieve in your photos can be determined by how you choose to expose it. The great thing about shooting RAW is that you have a lot of flexibility to adjust the exposure in post if you don’t quite have time to get it nailed in-camera on the day.

      When we’re adjusting exposure we’re adjusting to how we remember the light actually was.  If it’s a wedding outside on a bright day then we’re usually not going to drag the exposure slider down to darken the image as it would likely look unnatural.

      On the other hand if a photo was taken in a dark and moody interior then we wouldn’t drag the exposure up too high as we would want to keep those rich, dramatic, moody tones.

      Take a look at the image below to see how the exposure slider can effect mood.  Some people may prefer the brighter version, some may prefer the darker version which is correctly exposed to how the light was.

      There are of course no rules with exposure though and we encourage anyone to play around with the exposure slider to find a look that suits them.

      5. White balance and tint

      Probably one of the most important wedding photography editing tips as this can have a big influence on your overall look!  If skin tones don’t look quite right or the image looks washed out then it’s likely an issue with the white balance being too much on the cooler side.  We usually adjust our images neutral or slightly to the warmer side until the skin tones look correct.

      We then carefully adjust the tint depending if we want to go for a slighter greener feel or magenta feel (or somewhere in the middle so it’s neutral). Adjusting tint something that usually should be used in small increments so the changes are very subtle.

      White balance is very important for consistency in a wedding gallery.  After finishing up editing the gallery in Lightroom, it pays to go back and scroll through the gallery another 2-3 times by eye to make sure the white balance in each scene is consistent with the photo/s before it.


      6. Adjustment brush masks and bringing out the most of each photo

      It’s always great when you can just apply your preset, make some adjustments to exposure / white balance and then move on to the next photo. Sometimes there are cases when a photo can do with a little bit more work though.

      Whenever we’re editing a photo we’re thinking two things :

      1. Where do we want the viewer to look?
      2. How can we minimise distractions?

      With an adjustment brush mask tool you can dodge and burn individual parts of the image to help guide the viewer’s eye to where you want it to go. Sometimes you might want to drag down the exposure to hide a certain part or perhaps you’ll need to make parts of the image brighter to even things out a bit.  Using the adjustment brush you have full control over every individual part of the image.

      In the image below I brushed in some extra exposure on the groom and darkened the wall next to the groom on the left as I personally felt it was too bright distracting.

      Before brush masks:Wedding Photography Editing Tips

      After brush masks:Wedding Photography Editing Tips

      7. Vignetting

      Another way to subtly guide the eyes towards the subject in the middle is by using a bit of vignetting.  We usually add just a little bit as we don’t want to overdo it.

      Wedding Photography Editing Tips Wedding Photography Editing Tips

      8. Remove objects and distractions
      Finally we always like to removed any unwanted objects or distractions in the photo to convey the message more clearly.

      On the wedding day we try and photograph in a way that minimises unwanted objects in the photo however sometimes things are moving so fast that you don’t have time to move something out of the way or perhaps it’s not possible to move it.

      This is where the spot healing and cloning tool comes in handy!

      Lightroom’s clone/healing tool is getting better with each update however there are times when you’ll sometimes need to jump over to Photoshop to get a slightly better result.

      In the image below, on the wedding day I didn’t have time to move the objects on the right hand side so they were removed later in Photoshop resulting in a much more effective image.
      Wedding Photography Editing Tips

      That’s it for now! If you have any more questions about wedding photography editing tips please leave a comment below and stay tuned next week for another tutorial about ways to achieve a more ‘cinematic look’ in your wedding photography!


      Hi! Better is buy Tiffen Black Promist 1/8 or 1/4 ? For x2 becouse i use 2 bodies. 35mm/85mm

      Hi mate, it’s up to you. I personally find the 1/8 enough for photography and weddings whereas the 1/4 is better suited for videography imo.

      Arga Gilang Kusuma

      i just wanna say

      thanks for make my eyes brighter than before

      Since I discovered it, your work has hands down been my favorite & one of the biggest inspirations for my own photography, so to get a peek behind the curtain like this is just invaluable! My husband and I have a list of photo gear and software we save up for, and you best believe your presets are on there. I can’t wait to continue learning from you all and support you even just a bit from over here in the states.

      Quick question, if you don’t mind my asking: do you do camera calibrations in Lightroom to fix lens distortion, or do you leave that natural vignetting? Thank you so much for sharing your knowledge & experience!!!

      Hi Abigail,
      Sorry for the slow reply, I just logged in and saw this.
      Yes I use the lens profiles in Lightroom to correction distortion and vignetting. The only lens I manually correct is the Nikkor 85mm f/1.8G as I find Lightroom doesnt do a good job of correcting it’s vignetting (it over corrects and makes the corners too bright).
      Hope that helps!

      lovee your work, so nostalgic :), if you dont mind me asking, what camera and lenses do you shoot on? P.S not a gear head. just curious

      Hi and thank you! I currently use a Nikon D780, Z6 and 35mm and 85mm Nikkor lenses.

      I came across your work and it is just stunning. Some of the best that I have seen. I am really interested in your presets. I also shoot with a Nikon, I use the D850. I do have two questions, Do you underexpose in camera when shooting? What white balance do you usually use? I have joined your FB and Instagram. Please let me know if you do any live tutorials with your presets or if you offer any classes. Thank you so much, Tara

      Hi Tara,
      Thank you for your kind words!
      If there’s a high dynamic range in the photo (eg. a sunny day with) and I want to capture every detail (eg, white dress, sky) then I will underexpose usually. Other than that I try to get the exposure as spot on as possible in camera.
      I shoot with AUTO white balance and correct in post. When using my preset I will usually slide the colour temperature slightly to the warmer side in Lightroom.
      Hope that helps!
      ps. re tutorials, I offer 1 to 1 mentoring sessions over Zoom

      You are the biggest inspiration in photography, hands down.

      Really kind of you Robyn, thank you! x

      Fantastic soft effect in the highlights … which filter do you usually use to get that glow? really congratulations, i think i will buy the presets by modifying them slightly on my photos.

      Hi Mate,
      Thank you! I always have the 1/8 on my lenses as the effect isnt too strong. Sometimes when i want a stronger effect and I have time to swap, I will put the 1/4 on.

      what kind of filter do you use to achieve this effect?
      Any suggestions would help.

      Hi, it’s the Tiffen Black promist filter.

      that makess so much sense thanks for sharing

      What is your camera and favorite lenses?

      Hi Chrisna,
      We use a Nikon D780, Z6 and both the 35mm f1.4 and 84mm f1.8 lenses

      Your work is truely amazing and I love the consistency you are able to maintain in tone, colours and the mood of your imagery. Do you spend a lot of time curating to keep your feed so beautifully consistent or is consistency maintained by your in camera choices and by the type of scenes you pick on a wedding day? I find it super difficult to find scenes that enable me to restrict the colour pallet and achieve more harmonious tonal range. I’ve purchased your presets and would love and any advice as I start the journey adapting them to my images. Living in Qld Australia we are challenged with a lot of hard light. Thanking you in advance.

      Hi Colin,
      Thanks for the kind words and thanks for purchasing our presets!
      So I think the consistency comes from using the same gear for every wedding and knowing the exact type of light that I’m looking for in every situation and then using it in a consistent way.
      When I’m using my preset I pretty much always keep the white balance slightly to the warmer side (and sometimes more-so) in every image and make sure the white balance (and tint) is consistent in every image of the gallery.

      Great tips! Any advice in a future blog for getting the best out of these presets when using them indoors at night under artificial lighting?

      Hi Peter, to be honest I don’t really change much for this kind of lighting condition. The only thing I really change is the white balance and I just drag it to the point that it looks good to my eye.

      Thank you for sharing your knowledge!

      One question > On photo shooting or the subject is static, do you set the lens on auto-focus or manual focus? 🙂

      No worries! I always use autofocus when shooting stills 100% of the time.

      Thank you, Dylan!

      Love the insight, I have been drawn to your style for so long because it reminds me of the Romanticism Era, and is the perfect combination between life and art. Looking forward to learning more from you!

      Thanks for the mega-kind words Tashana! More coming soon!:)

      Adore your work so much, hopefully when all the craziness is over you guys organise a workshop.
      Keep up the inspiring work and thanks for the info.

      Thanks a lot mate! Workshops definitely on the cards whenever all this madness is over! 🙂

      Thank you. Your presets are great. Can’t wait for next tutorial.

      This was awesome you guys! Thanks for sharing.

      No worries Hope! Glad you enjoyed it!:) x